Chapter 1
We're now with Natasha and Mary, who are united in mourning for Andrew. However, Mary is now "an absolute and independent arbiter of her own fate" since the death of her father and brother, and is the sole guardian of her nephew, so she has to pull herself together. Natasha has less responsibilities - and is more of a drama queen - so it takes her longer. She keeps going over what she and didn't say to Andrew. The chapter ends with her being called to hear the news of Petya's death.
Chapter 2
Petya's death reunites Natasha with her family, after Andrew's had estranged her.
Chapter 3
Mary delays the departure of her and her nephew, little Nikolai, because Natasha is the only one able to comfort her mother. Natasha's love, in caring for her mother, is able to help her heal begin to heal from her grief. Natasha cares for her mother until she becomes ill, and then Mary takes care of her. Natasha and Mary begin a tender and passionate friendship "such as only exists between women" with much kissing of hands and face. They begin to feel that life is only possible in one another's presence. They spend a great deal of time talking, and Natasha comes to appreciate Mary's relationship with religion, despite not being able to relate to it herself, which is rather sweet. Natasha and Mary stay with the Rostovs until January - remember, Petya died at the end of October - before leaving together.
Chapter 4
We're back to the war. The French have been fleeing so fast the Russians cannot keep up. The Russian generals are trying to get Kutuzov to take some action even though, as Tolstoy likes to point out, the French are already doing exactly what Russia wants. Kutuzov is doing his best to ignore these orders, but the generals are getting more eager because they're seeing their last chance for a bit of battle glory. It's all very Lord Rust (see Jingo). There are some battles - one senselessly raging on for three days, for no good reason, just because Napoleon happens to be there and some Russian generals want to capture him - but the French mostly just want to go home and are using guerilla tactics to slip past the Russian army if they can't just surrender. Plus, none of the plans are working because they're all out of date by the time they get to the troops and/or someone wants to do something a bit more dramatic. A bit shambolic really. This chapter is stolidly in defence of Kutuzov and damns other historians for their lack of respect.
Chapter 5
In 1812 and 1813 Kutuzov was very much criticised for, basically, trying to preserve lives and have a sensible war rather than throwing soldiers away on vainglorious folly, and since we're not upset about all of Mary's family dying - except her and her nephew - and poor little Petya, we're inclined to agree with Tolstoy, who describes Napoleon, scathingly, as "that most insignificant tool of history who never anywhere, even in exile, showed human dignity".
You know, I've been thinking about the book of The Princess Bride recently, and the conceit that it's abridged from a much longer original novel which kept leaving the story for essays about the history of the country it was set in. I wonder if William Goldman read War and Peace and took inspiration from it, or if that's just a coincidence? I recently got a fully voice-acted abridged version of War and Peace on Audible, which comes in at, if I recall correctly, about 9 hours. Considering 100 pages is normally about 3 hours, that's only a third of the book so I suspect they've cut out all these war essays in the same way Goldman claimed to have edited Morgenstern's story.
Anyway, Tolstoy is very admiring of Kutuzov's dignity, and the way he appeared - from the writings and communications we have from the time - to be the only person who really understood what was going on and taking sensible actions about it. Tolstoy attributes this to Kutuzov's pure Russian spirit. There is definitely a vodka pun to be made here. Tolstoy says that it is the fact that Kutuzov was a true hero and great leader that prevented him from being put in the false mould of the "European hero" because, as he's been saying since the beginning, the real world doesn't work like a story and battles and wars never go to plan, and you can't intend to carry out a plan and then do it in the middle of a battlefield so pretending that some generals did is just dumb. He makes a very convincing argument.
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