Showing posts with label Jingo. Show all posts
Showing posts with label Jingo. Show all posts

Sunday, 20 September 2020

In Which We Discuss War and Peace, Part 15 Chapters 1, 2, 3, 4, and 5

 Chapter 1


We're now with Natasha and Mary, who are united in mourning for Andrew.  However, Mary is now "an absolute and independent arbiter of her own fate" since the death of her father and brother, and is the sole guardian of her nephew, so she has to pull herself together.  Natasha has less responsibilities - and is more of a drama queen - so it takes her longer.  She keeps going over what she and didn't say to Andrew.   The chapter ends with her being called to hear the news of Petya's death.


Chapter 2


Petya's death reunites Natasha with her family, after Andrew's had estranged her.  


Chapter 3


Mary delays the departure of her and her nephew, little Nikolai, because Natasha is the only one able to comfort her mother.  Natasha's love, in caring for her mother, is able to help her heal begin to heal from her grief.  Natasha cares for her mother until she becomes ill, and then Mary takes care of her.  Natasha and Mary begin a tender and passionate friendship "such as only exists between women" with much kissing of hands and face.  They begin to feel that life is only possible in one another's presence.  They spend a great deal of time talking, and Natasha comes to appreciate Mary's relationship with religion, despite not being able to relate to it herself, which is rather sweet.  Natasha and Mary stay with the Rostovs until January - remember, Petya died at the end of October - before leaving together.


Chapter 4


We're back to the war.  The French have been fleeing so fast the Russians cannot keep up.  The Russian generals are trying to get Kutuzov to take some action even though, as Tolstoy likes to point out, the French are already doing exactly what Russia wants.  Kutuzov is doing his best to ignore these orders, but the generals are getting more eager because they're seeing their last chance for a bit of battle glory.  It's all very Lord Rust (see Jingo).  There are some battles - one senselessly raging on for three days, for no good reason, just because Napoleon happens to be there and some Russian generals want to capture him - but the French mostly just want to go home and are using guerilla tactics to slip past the Russian army if they can't just surrender.  Plus, none of the plans are working because they're all out of date by the time they get to the troops and/or someone wants to do something a bit more dramatic.  A bit shambolic really.  This chapter is stolidly in defence of Kutuzov and damns other historians for their lack of respect.


Chapter 5


In 1812 and 1813 Kutuzov was very much criticised for, basically, trying to preserve lives and have a sensible war rather than throwing soldiers away on vainglorious folly, and since we're not upset about all of Mary's family dying - except her and her nephew - and poor little Petya, we're inclined to agree with Tolstoy, who describes Napoleon, scathingly, as "that most insignificant tool of history who never anywhere, even in exile, showed human dignity".


You know, I've been thinking about the book of The Princess Bride recently, and the conceit that it's abridged from a much longer original novel which kept leaving the story for essays about the history of the country it was set in.  I wonder if William Goldman read War and Peace and took inspiration from it, or if that's just a coincidence?  I recently got a fully voice-acted abridged version of War and Peace on Audible, which comes in at, if I recall correctly, about 9 hours.  Considering 100 pages is normally about 3 hours, that's only a third of the book so I suspect they've cut out all these war essays in the same way Goldman claimed to have edited Morgenstern's story.


Anyway, Tolstoy is very admiring of Kutuzov's dignity, and the way he appeared - from the writings and communications we have from the time - to be the only person who really understood what was going on and taking sensible actions about it.  Tolstoy attributes this to Kutuzov's pure Russian spirit.  There is definitely a vodka pun to be made here.  Tolstoy says that it is the fact that Kutuzov was a true hero and great leader that prevented him from being put in the false mould of the "European hero" because, as he's been saying since the beginning, the real world doesn't work like a story and battles and wars never go to plan, and you can't intend to carry out a plan and then do it in the middle of a battlefield so pretending that some generals did is just dumb.  He makes a very convincing argument.

Tuesday, 3 September 2019

In Which We Discuss War and Peace, Part 10, Chapters 33, 34, 35, 36, 37, 38, and 39

Chapter 33


This chapter describes a broad view of the battle.  Again, Tolstoy makes the point that Napoleon could not see a fucking thing and the news he was being brought became out of date as the rider travelled to him.  The men on the battlefield do whatever they need to do in the heat of battle and in preservation of their lives, until they reach safety whereupon their superiors gather them back up and lead them back in.

Chapter 34


Napoleon's Generals - Davout, Ney, and Murat - are finding that this battle is not going at all according to the way they normally do.  The Russians are not retreating.  Murat sends an adjutant to ask Napoleon for reinforcements, which Napoleon finds shocking, and, I am forced to assume, makes a stupid face.


Napoleon denies the reinforcements and distracts himself with something else.  Another request for reinforcements arrives, swearing up and down that the Russians will be defeated with just one more division.  Napoleon says he's made a mistake and sends him away.  Another messenger turns up immediately, requesting reinforcements again.  Napoleon finally gives in, but dithers over which one to send, "playing the part of a doctor who hinders by his medicines".  Requests for reinforcements keep arriving and Napoleon begins to worry.  M. de Beausset turns up to suggest lunch and asking if he can congratulate Napoleon on a victory, because he's not been paying attention,  Napoleon nods distractly, which De Beausset takes as a yes on the victory.  Napoleon is realising he is losing and is feeling quite depressed about it.  He can't figure out why, considering he has won victories with this army and these techniques against this enemy before.  He just gave a few orders and then someone turned up to congratulate him.  He notices that all the men who understand war are feeling the same way he is and avoiding one another's eyes.  Berthier - one of those men - suggests that Napoleon should ride along the line and ascertain exactly what is happening.  They go and find a continuous slaughter, with no good to either side.  Napoleon has never seen such slaughter.  He can't do anything.  Another general offers to lead the Old Guard into action, which Ney and Berthier roll their eyes at.  Napoleon says he will not have his guard destroyed and leaves.

Chapter 35


Now we look in on Kutuzov, I assume so we can compare him to Napoleon.  He doesn't try to give orders, but just agrees or denies the requests brought to him.  He understands that one man cannot direct hundreds of thousands of others who are struggling with death, and that the result of the battle will be based on the spirit of the army more than anything.  At 11am he learns that the fleches captured by the French have been retaken, but that Bagration is wounded.  He asks for more information.  He sends the Duke of Wurttemberg out, but gets a message from him - sent before he can possibly have reached his position - requesting more troops.  Kutuzov sends Dokhturov to take over and send the Duke back.  A little later he receives the information that Murat - one of the French generals - has been taken prisoner.  He doesn't want to celebrate too soon but does send the news out to the troops.  At 3pm, the French attacks cease.  At dinner, General Wolzogen - who said, in front of Andrew, that the battle must be extended - turns up to tell them that the battle is lost, based on Barclay de Tolly seeing wounded men and assuming.  Kutuzov tells him - and, by proxy, Barclay de Tolly - to fuck off.  I paraphrase, he used more words.  He tells Wolzogen to tell Barclay de Tolly that he fully intends to attack again in the morning.  Wolzogen goes off, marvelling at how stupid Kutuzov is being.  Raevski turns up and gets a much warmer reception, not least because he's been at the most important part of the battle and is reporting a victory.  Wolzogen comes back and insists that Barclay de Tolly must have the orders in writing or he won't follow them.  Kutuzov gives the order to have them written out, without even looking up.  Kutuzov's words - of victory today and attacking again tomorrow - manage to spread from one end of the army to the other, not through his exact words being passed on but more because his words and orders encompass the spirit of the army and of every Russian soul.

Chapter 36


Andrew's regiment was one of the reserves which were held back, under artillery fire, until after 1pm.  They'd already lost more than two hundred men before they were able to move forwards into battle and thousands more died before 2pm.  The regiment lost another third of its men from cannon fire before being able to fire a single shot.  The whole regiment is taciturn and morose, some of them becoming absorbed in simple things like playing with the grass while they wait, amidst silence and cries for stretchers.  They've been inactive for eight hours, with constant fear of death and no food.  They're all pale and gloomy.  Andrew is pacing, thinking of nothing.  He'd tried talking to the men at first, to try to buck them up a bit, but it didn't help - they're all trying to mentally escape from what's actually happening.  A cannonball hits near him, and he sends out an order to tell the men not to crowd together.  A shell drops within two steps of him, near to the battalion commander's horse, terrifying it, which infects the men with fear.  The adjutant shouts at Andrew to get down as he himself drops to the ground.  Andrew doesn't, caught by the idea that he might literally die, right now, and caught by a passionate rush of love for life.  The shell goes off, heavily wounding him in the torso which is...not really compatible with life, in most circumstances on an 1812 battlefield.  He's carried away on a stretcher, still conscious, but a little delirious.  At least it's cured his ongoing depression - there's "something in this life [he] did not and do[es] not understand".



Chapter 37


We're still at the hospital tent with Andrew.  He's seen immediately, which a non-titled soldier complains about.  Andrew's having flashbacks to the piles of dead bodies he saw a few weeks ago, brought on by the naked and bleeding bodies around him now.  There are three operating tables, two of them already occupied.  One holds a Tartar who is being held down by four soldiers while a doctor cuts into his back.  The other holds a man who seems oddly familiar to Andrew, who is also being held down, with something painful being done to his leg.  A doctor orders Andrew to be undressed, bringing back memories of childhood, and then starts doing something to Andrew's abdomen which causes him to pass out.  When he wakes up, the splintered portions of his thighbone have been extracted and the flesh torn away.  I'm now confused about where he was injured.  Someone's sprinkling water on his face.  As soon as he opens his eyes, the doctor kisses him on the lips and hurries away.


Now all the pain has stopped, Andrew is feeling quite blissful, in a way he hasn't felt since his earliest childhood.  The man who seemed familiar is demanding to be shown his amputated leg and starts sobbing when he sees it, which, tbh, seems like a very reasonable reaction.  It turns out it's Anatole.


(The joke there is that Anatole is a classic Rake).  Andrew is still quite delirious and it takes him a minute to figure out that he knows Anatole because of Natasha.  He remembers the first time he saw her during that ball in 1810 and his heart overflows with pity and love for Anatole.  He starts crying as well, and thinks that he finally understands the word of god that his sister tried to teach him, of love for his brothers.

Chapter 38


We're back to Napoleon, who normally likes to look at the killed and wounded, considering it a test for his strength of mind.  Today, it horrifies him and he rides away, feeling dejected and powerless.  While he's sitting there, an adjutant informs him that his last order did not succeed in stopping the Russians, despite killing quite a lot of them.  He gives the role to continue fire, not because he wants to - all he wants to do is run away and be free of all this - but because he has to, because he's the Emperor.  Besides, it's already being done.   Tolstoy doesn't seem to like Napoleon at all, which, again, does not seem like a totally unreasonable response.  He states that Napoleon had to repudiate truth, goodness, and all humanity because his actions were so far from them and he forces himself to find joy in them.  He finds reasons to rejoice that there are five Russians dead for every Frenchman, and that he's looking over a battlefield of fifty-thousand corpses.  I'm reminded of another Discworld quote here, specifically one from Jingo.

“It is a long-cherished tradition among a certain type of military thinker that huge casualties are the main thing. If they are on the other side then this is a valuable bonus.” 

Tolstoy then quotes a letter Napoleon wrote on the island of St Helena, where he later went to write an account of the great deeds he had done.  Apparently, Napoleon felt that the Russian war should have been "the most popular war of modern times".  Basically, as Tolstoy summaries, Napoleon "predestined by Providence for the gloomy role of executioner of the peoples, assured himself that the aim of his actions had been the peoples' welfare".  Napoleon also does some quite complicated algebra.  Basically, since the army he lead into Russia only included about 140,000 people who spoke French, he only actually lost around 50,000 Frenchmen, while 4x as many actual Russians died.  Note that here Napoleon has discounted - as Tolstoy and Napoleon listed - Austrians, Prussians, Saxons, Poles, Bavarians, Wurttembergers, Mecklenburgers, Spaniards, Italians, Neapolitans, Dutch, Belgians, men from the borders of the Rhine, Piedmontese, Swiss, Genevese, Tuscans, Romans, men of the Thirty-second military division (the areas of the lower Elbe), of Bremen, of Hamburg, and so on.


Note that Napoleon has not discounted the non-Russian soldiers from the Russian death-toll.

Chapter 39


This chapter is a description of the battlefield.  The "grass and earth were soaked with blood for a space of some three acres around".  The men are beginning to feel doubtful and whether and why they should continue slaughtering one another, especially since they're all hungry and tired.  Still, they carry on.  Tolstoy attributes it to an ineffable act of God.

Anyone looking at the battlefield would have assumed that either the French nor the Russians could have won if they'd found it in themselves for one final push, but neither side does.  The Russians don't because their goal isn't to attack the French, it's to block the way to Moscow.  They've done this, even though they've lost ONE HALF of their army (capitals are Tolstoy's).

According to Tolstoy, some historians believe the French could have won if Napoleon had sent his Old Guards, which were completely intact.  Tolstoy feels that this was an impossibility, that Napoleon did not send his Guards not because he didn't want to but because he couldn't - because the flagging spirits of the troops wouldn't permit.  Every member of the French army felt the same terrible, sudden, impotence that Napoleon did when they suddenly began losing, when they faced an army they had half killed who still kept coming at them.  Their moral force was exhausted.  The French lost because they believed it was inevitable once when the Russians didn't stop.  In Tolstoy's opinion, the Russians had a morale victory over the French.  Tolstoy adds that the French army were able to reach Moscow, but died without further Russian effort because of the wounds received in Borodino.  The fall of Napoleonic France hinges directly on the victorious morale of the Russians at Borodino (according to Tolstoy).  I feel like this is the thesis statement he wrote the entire book to make.

...and that's the end of part 10!  I'm 67% of the way through!  I have 7 parts left to finish, split into 136 chapters.  At the rate of one chapter per day, I'll be done by the 17th of January next year, so that's my upper limit.  Two a day would only take to the 11th of November, three to the 18th of October, and six to the 25th of this month.  The next part, 11, consists of 34 chapters and will take me to 76%, more than 3/4 of the way through the book.  The chapters should, on average, be slightly shorter than in this section - each one contributes approximately 0.26% of the book, compared to 0.28% for section 10.  On average, the longest chapters were back in part 3 - each one contributed an average of 0.37% to the book.  All of the other sections are between 12-20 chapters long, and, tbh, it's the large number of chapters that puts me off.  Like the French, it's a morale-loss.  For that reason, I'm going to try to get through at least 6 chapters per day until I'm done with part 11.

Thursday, 8 September 2016

In Which We Discuss Books I Read in my 28th Year, Week 3/52


Five books last week! That’s the 27th August to the 3rd September – and yes, I realise I’m writing this on the 7th of September! I’m moving to Manchester in eight days, which involves a lot of wrapping things up. For instance, returning my last West Midlands library book. I’d returned all the books I’d borrowed from Sandwell, Dudley, and Solihull, so that only left House of Leaves to go back to Birmingham. I finished rereading it this week and then took it back. It was a little anti-climactic, really.

I feel like I took in more of the book this time; I noticed little things like the substitution of the word ‘heal’ for ‘heel’. A few notes from my journal;

- If Johnny is the minotaur then his footnotes are the roars, echoing around the House of Leaves. This also indicates a communication through time, a la For the Time Being.
- Navidson doesn’t feel that the tapes really capture the true scope of the house. Really, films not capturing the fullness of a ‘house of leaves’ (book)?

I finished rereading (listening to) Feet of Clay and Jingo this week. Both books in the Ankh-Morpork City Watch sub-series of the Discworld.

Some comments from my diary about Men at Arms; Dorlf reminds me a lot of Simony from Small Gods. They’re both the kind of atheists who spend a lot of time thinking about god. I also spent some time wondering if Cheery is trans, since her genitals are never discussed. She might be; it’s totally irrelevant what genitalia she has, both in and out of universe. She wants to present as female, so she does.

I nearly cried when Big Fido died, the poor mad bastard. He so desperately wanted to be a fallen angel rather than an ascending ape, a la Science of the Discworld. That’s what his wolf thing was about.

In the alternate timeline of Jingo, Vimes dies on the barricades of Ankh-Morpork. Since he’s not yet seen it from the other side, as he will in Night Watch, he’s likely having flashbacks to the first one and watching Keel die, especially when his fellow Watchmen start dying around him. TV Tropes also points out some specific tearjerkers in the order in which the characters die; Detritus immediately after Cheery, as if he waded into a group to avenge her. Visit alongside other Watchmen, finally accepted. Carrot immediately before Vimes, as if he took a the blow for him.

Reg Shoe as well; imagine the flashbacks he’ll be having to the Glorious 25th of May.

Pretties is the second in the Uglies series, another one which I’ve read before. I do like Shay, and it’s a pretty good version.

Bag of Bones I’ll be writing a longer post about later.

Wednesday, 28 January 2015

In Which We Discuss Books I Read in my 26th Year, Week 24/52

Six books this week!  Two rereads, four new.  Four library, one kindle, one audible.

Sisterland was new to me.  I borrowed it from the library a while ago.  Saw it there on my lunch break, realised I'd left my purse at the office.  I asked the librarian if there was anyway she could help me; she offered to sell me a new library card, the cheeky cow.  I realised, as I was on my way back to work, that had she bothered to look up from her book for more than a minute, she could simply have looked up my library card number.  I could have typed that manually in to the self-service machines; since I know my pin, all I needed was that number.

Anyway, I went back after work and got it then.  No lazy librarian is keeping me from my books.

I quite liked it.  It's about twin sisters, both of whom had a vague psychic gift.  One has suppressed it and become a suburban mom, the other has embraced it and become a complete hippy.  The latter makes a public prediction of an earthquake to hit St Louis, triggering various plot shenanigans.  I didn't like it as much as Prep, which I read in late 2006/early 2007.

Couch Fiction was another library book, one I picked up along with How to be a Heroine, The Rosie Project and some sheet music when I returned Sisterland.  It's a graphic novel showing a therapy session, with little footnotes and thoughts on what both therapist and client are thinking, and possible issues which are raised.  Incredibly interesting.  I realised I do the opposite of what the client does; instead of suppressing emotions and ignoring any hint my childhood wasn't idyllic, I suppress emotions and ignore any memories of my childhood that weren't relentless abuse or misery.  I find it hard to feel like the good bits count, in light of the rest.  And I guess if I acknowledge that there are good bits, that means something must have changed, which my mother says is my fault.

The Secret of Platform 13 is an old favourite, which predates Harry Potter by three years.  I mention that because it involves a secret door opening in King's Cross station.  The author has said she is not going to sue Rowling.  Behind the door is an idyllic island kingdom.  They lose their prince on the surface, wait nine years for the gump (the secret opening) to reopen, and then mount a rescue mission.  It's lovely.

How to be a Heroine is a book about reading.  It's written by a woman who loved various literary heroines in her adolescence and went back and re-examined them as an adult with a feminist consciousness.  Very interesting.  I'd read about half of the books she mentions, and I'm enthusiastic to read the rest now!

The Rosie Project is about a Sheldon Cooper style character meeting a manic-pixie dream girl.  I am in admiration of Don (Sheldon Cooper)'s organisation skills.  I make a fortnightly meal plan with shopping delivered every fortnight, and lots of meals made in advance and frozen.  He made a weekly meal plan long ago and hasn't varied it, allowing him to perfect his weekly shop and the time it takes to prepare food.  I tempted to try this.  I am aware that I am missing the point of the novel.

Finally, Jingo.  Jingo was the second Discworld book I ever read, after Colour of Magic.  I have a bit of a soft spot for it, and for Vimes specifically.  I listened to it as an audio book this time.  Not sure I quite see a Scottish Detritus and an Irish Sergeant Colon, but it works okay.